past

Date2427/10/2024

Time8:00PM, 3:00PM


CategoryTheatre

Duration: 65 minutes

This show has ended.

from

RM50.00

All Fees Included

THE CANADIAN RAJAH – written by Dave Carley,
Directed by Sabera Shaik
With : Sarah Shahrum, Malik Taufiq, Israr Khalid and Amalina Arham

History has obliterated the name of Esca Brooke from its pages because it was believed that only an English can become the heir and Rajah of Sarawak.

Throughout his life, Esca Brooke Daykin tried to claim his heritage as the first born son of Rajah Charles Brooke.
In this play, Dave Carley takes dramatic licence in the telling of the story of a man who spent a lifetime enduring the ghosting from his birth family. His final (and made up) meeting with the Ranee Margaret in London to make one more bid to reinstate his Brooke heritage reveals a vengeful woman, a product of her times.

Will she agree to his request? Does he return to Canada triumphant and content?

Ticketing

Thursday

24th

Oct 2024

8:00PM (GMT+8)

Friday

25th

Oct 2024

8:00PM (GMT+8)

Saturday

26th

Oct 2024

8:00PM (GMT+8)

Sunday

27th

Oct 2024

3:00PM (GMT+8)

About

THE CANADIAN RAJAH

The play is written by Dave Carley a Canadian theatre artist whose primary focus is stage plays.
His works have had over 450 productions all over Canada and USA. He also writes for radio and television.

SYNOPSIS

This is a bizarre  but true story of betrayal, loss and disappointment of Esca Brooke the first- born son of the Second Rajah of Sarawak, Rajah Charles Brooke.

The mother of his firstborn son is Dayang Mastiah whom he married in a Muslim ceremony and which was registered in the state registry. 
About three years later when Sarawak was almost bankrupt, Rajah Charles went to England in search of a wealthy  woman to fill the coffers of his little kingdom. There he marries Marguerite (Ranee) de Windt and thus her dowry too.
Upon her arrival in Sarawak, the Ranee proceeds to produce heirs and spares but in the horizon is Esca the potential successor to the “throne”. To ensure that only the English and her children will take over from their father, Ranee Margaret has Esca removed to England where he lived with a bitter Anglican clergyman and his sickly wife, where they endured  a life of poverty in a string of miserably poor parishes.
Sometime later, Willian Daykin, Esca’s adopted father was transferred to the backwoods of Canada to Madoc, near Ontario.
The congregation here were desperately poor and William Daykin hated his work , often making Esca take over his job as preacher.

Esca won a scholarship to Trinity College when Daykin, in filling up the forms lied about Esca’s age making him three years younger than he actually was.  The education he had here propelled him into the upper echelons of Canadian society who were intrigued by this exotic creature who was neither English nor Asian. 

Esca carried a certain melancholy and sadness in him which even his children could not fathom. He was a private man not given to excessive shows of emotions but he was fond of gardening and exotic plants.
As he aged he began to obsess about his identitiy .The need for recognition of his lineage consumed him so much that  he wrote to politicians in England and even appealed to the King of England but no one ever replied to him. He had been effectively erased from their annals of history.

Esca died without ever resolving his Brooke lineage but in this play Dave Carley has given him a chance to meet the Ranee in her home in England  - the main puppeteer  and impediment to the recognition as a Brooke - to put his case for instating his true identity.

Esca died in  1953   at the age of 58.

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